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Season 3 · Episode 2

0.058mJanuary 26, 2014
Two marine landscapes attributed to John Constable are examined. One, Yarmouth Jetty, has been heavily altered by later overpainting, while the other, A Sea Beach, Brighton, was once owned by the Museum of Fine Arts, Boston before being deaccessioned. The investigation asks whether technical evidence can recover the identity of works obscured by restoration and changing expert opinion.